Hair in portraiture is often the tell between a good and bad draftsman. John Johanek puts his line quality front and center, in all its black and white glory, no matter the hair color.
Johanek’s bristly whiskers, flowing strands, unruly eyebrows and elaborate pompadours show us the person’s inner and outer tensions as clearly as a dog’s tail and ears, eliciting our sense of touch, as do our furry friends.
If you get a line wrong? “Well, then you’ve ruined it,” Johanek said. “I have to be totally alone when I do it. No interruptions.”
He contrasts the writhing or lyrical or ordered-ranks of hair with strong faces, often using watercolor washes that show the drawing and crosshatching beneath.
As Coco Chanel said, “Nature gives you the face you have at twenty. Life shapes the face you have at thirty. But at fifty you get the face you deserve.” Johanek does portraits of the deserving.
“I like people who project personality and character,” Johanek said. “If they have long hair that’s a bonus.”
Johanek’s style is influenced by the deceased El Paso artist, Rudy Montoya, who also contrasted strong drawing with watercolor, leaving yawning white space around the subject, often pushing the composition to the far right or left.
Johanek also favors asymmetrical voids. “It emphasizes what’s there,” he said.
Montoya’s portraits were of Native Americans, and Johanek longed for such a subject, when Pink Cloud walked into his gallery, which he owns with his wife, Durrae Johanek, the Zia Gallery, at 415 Broadway.
Johanek carefully photographs his subjects and then works from his photographs.
Pink Cloud he did twice. He was so pleased with the first one he left it in all black and white. The second one contrasts the drawing with watercolor washes on the face and hand. “She wasn’t quite as old as I would have liked,” he said, reversing pervasive age discrimination.
Both ink and watercolor are totally transparent and unforgiving, the artist’s touch and surety there for all to see. If the placement of highlight or shadow is wrong, the architecture of the face collapses. Johanek obviously enjoys walking such a tightrope.
His work, along with Durrae’s pine-needle baskets and other artists’ work may be seen at Zia Gallery through April. The Johanek’s will return to Montana then, reopening the gallery in the fall. They opened the gallery for the first time October 2019.